Disclosure: Stillmotion’s workshop production company Monte Zucker waived my workshop registration fee in exchange for a video on my experience of StillMotion “Know” tour in Denver.
First off I want to say I’ve always been a big fan of Stillmotion. They have shared so much over the years since this whole DSLR craze started to happen and I have learned a ton from them. I also try to share as much as I can, but my film making knowledge is a fraction of what Patrick and his crew have to offer. Stillmotion is awesome, you should be following them. I’ve had them listed on blogroll for years.
StillMotion in StopMotion
I ran across Petra Cross’s Google+ conference video a while back and always want to try something like this when the opportunity presented itself. So when Stillmotion’s workshop production company contacted me to create a video for them on my experience at one of their workshops, I thought this would be the perfect ‘treatment’ or method to use. I also thought to myself, “Well their name is ‘Stillmotion’…. I might as well create a ‘Stop Motion’ of their workshop.”
I remember listening to a podcast that Patrick Moreau did a while back where he said something like this, “When I enter a room that I am going to film in, I’m thinking of shooting it like no one else has before“. So using stop motion, a fast tempo song with a driving beat with kind of a dance feel, I felt pretty good that I was being unique.
When it came to color grading my images I wanted the clips NOT to match, I wanted it to be a little jarring, perhaps how light changes quickly in a dance club. Banquet rooms are so boring, and I didn’t want to make a boring video. This is a very creative and fun topic, so I went bold in this video, perhaps I went too far, but to me it is better to go too far than make another boring banquet room video.
No Patrick in Denver
First off I would be lying if I said I didn’t miss having Patrick Moreau there at the Denver workshop. Amina, Justin, Roy and Evan did a great job, but I think most of us consider Patrick Moreau the face of Stillmotion, so I personally missed not seeing him there. I talked with their marketing company and it sounded like Patrick is going to joining workshop for about 20 of the cities on the tour.
What I Learned
I learned about composition, stuff that I already knew on a sub conscience level, but didn’t know the ‘why’ in terms of story telling.
I learned more about story telling, but I wished they spent the entire time on this topic.
It was funny, their story telling is so good, when they would play a clip over and over again and change it slightly like taking the natural sounds out of the audio track, I would always get lost in the story and forget what I was supposed to be listening to. Their story telling is that good.
I don’t know that many production companies, but of the ones I do know, I gotta say these guys are some of the hardest working people I have met in this industry.
This tour just got started and is going pretty much around the country until Thanksgiving.
‘Know – Field Guide to Film Making’ Book
They also passed out a 300+ page book on film making, I have not had a chance to look at it yet.
With Etiquette CD
We also received a With Etiquette CD with about 15 tracks on it. They didn’t say anything about a license so I assume that we can’t use it for any of our videos. I guess just listen to it as background music.
The Filmmaking Seminar DVD
I guess in a few weeks I will receive a DVD with the stuff they covered in the workshop, not sure exactly what is on it. All I know it doesn’t include the post processing section.
Why is that guy taking sooo many pictures?!
I got to meet a lot of interesting people at the workshop, and some of them already knew my name! I got to explain to them what I was creating. But some people were looking at me funny, like they were saying to themselves, “Why the hell is that guy taking so many pictures in burst mode?”.
AI Servo Is My New Friend
To be honest I hardly ever use ‘AI Servo’ on any of my Canon DSLR’s. But boy it sure came in handy for this event by keep my subjects in focus while they moved or I moved.
‘Stop Motion’ Is Time Intensive
If you guys are interested in how I made this video, let me know, perhaps I can make a tutorial out of this one.
I took over 3,000 photos at the workshop and used 1,700 of them in this video. I had to shoot JPG so my constant shooting speed would stay well…constant.
This video took a long time to make. It only took me 2 hours to color grade the images and crop them down to 1080 the way I wanted, but it took 6 hours for Lightroom to render the processed images out. After that it took 30 minutes just to import all 3,000 images into Premiere. Once in Premiere there was now way to watch all 3,000 images in real time to see what they looked like without rendering out the workspace, so that took another an hour. Once all that was done it didn’t take but a couple hours to cut the video to the music, but cutting was not easy because I was moving large chucks of images around on the timeline which added a little more mental energy on my part so I didn’t separate the image sequences (grouping them didn’t help). But the waiting was not over, normally rendering out a two minute video might take 5-10 minutes or so, this one took an hour and a half to render.
It was great to meet some of the people that attended the workshop like Brian Scaglia.
Stop Motion or Time Lapse?
I’m not sure which of these two is the correct term for this video. Stop Motion I think applies to making objects move on their own and time lapse shows a passage of time quickly. I have both in this video so I am not sure which is correct.
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